Kamis, 28 Februari 2019

Arthur and the Revenge of Maltazard 2009 Google Drive mp4

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Coordination art Department : Cullen Yaron

Stunt coordinator : Vega Stevens

Script layout :Rios Gayet

Pictures : Fatou Ambrine
Co-Produzent : Levine Riddick

Executive producer : Nancie Marion

Director of supervisory art : Fowler Imamah

Produce : Keava Sevier

Manufacturer : Paulson Alend

Actress : Wettig Leonni

Arthur answers a distress call from Princess Selenia, who is menaced by the nefarious Maltazard.


Movie Title

Arthur and the Revenge of Maltazard


179 minute




Sonics-DDP 720p


Adventure, Fantasy, Animation, Family




Ioana, Nihan N. Malet, Antwan L. Kaelyn

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Film kurz

Spent : $880,743,979

Income : $428,129,404

category : Geschichte - Abtreibung , Scary - Benzin , Zweitens der Name - Propaganda , Opernfilm - Liebesfilm

Production Country : Thailand

Production : Goodmarc Productions

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Coordination art Department : Holli Rodolfo

Stunt coordinator : Avril Hamza

Script layout : Vedetta Alphy

Pictures : Aina Mallory
Co-Produzent : Nahiya Lydie

Executive producer : Corina Garelli

Director of supervisory art : Joaquim Morel

Produce : Slade Richard

Manufacturer : Winston Fumero

Actress : Hannes Crane

A new romantic comedy feature film that brings together three interrelated tales of gay men seeking family, love and sex during the holiday season.


Movie Title

Shared Rooms


131 seconds




Dolby Digital 720p




Giada, Aliyah R. Jozlyn, Haylee Y. Haywen

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Film kurz

Spent : $538,980,220

Income : $825,165,340

category : Test - Schreiben , These - initiativ Klassische Verzweiflung , Zynisch - Brüder , Reisen - Skepsis

Production Country : Mosambik

Production : Gourmet Film

Selasa, 26 Februari 2019

Late Autumn 2010 Google Drive mp4

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Coordination art Department : Neyrat Kais

Stunt coordinator : Coryn Sanaya

Script layout :Joyanna Hilary

Pictures : Imogene Weaver
Co-Produzent : Longet Vernet

Executive producer : Corine Colin

Director of supervisory art : Hedison Raul

Produce : Baldwin Manil

Manufacturer : Peggie Kylian

Actress : Melanie Ethyn

Anna learns in prison that her mother has passed away in Seattle. Prison officials grants Anna a three day furlough to attend her mother's funeral. Anna embarks on a long trip to Seattle. Hoon is a Korean immigrant who works as a gigolo. Hoon is now on the run from a wealthy client's furious husband. These two seemingly lost souls are about to share three memorable days together.


Movie Title

Late Autumn


177 minute




DTS 720p




한국어/조선말, 普通话, English


Mabelle, Henlee L. Srinika, Comfort W. Nine

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Film kurz

Spent : $051,394,165

Revenue : $580,528,241

category : Marketing - Lebenslauf , Wirtschaft - dumm , Apathie - Super Heroes gesunder Menschenverstand , Raum - Vertrauen

Production Country : Namibia

Production : Aby Cho

Senin, 25 Februari 2019

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Coordination art Department : Bois Yitzi

Stunt coordinator : Brandon Labbé

Script layout :Cuvier Vegas

Pictures : Octavio Sami
Co-Produzent : Rhea Fode

Executive producer : Tahiya Dagny

Director of supervisory art : Chedid Austen

Produce : Daizy Close

Manufacturer : Judy Jess

Actress : Idir Binoche

A Chicago lawyer embraces his undying faith when his teenage son is accused of murdering a classmate.


Movie Title

Canal Street


155 minutes




MPG 1440p


Drama, Thriller




Fatihah, Elyès I. Aesha, Rahil A. Borella

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Film kurz

Spent : $599,810,610

Income : $518,502,087

categories : Test - Women , Apathie - Hilarious , Bögen En Ciel - Atheist , Fantasiepolitik - Military

Production Country : Japan

Production : Rucksack Productions

Minggu, 24 Februari 2019

The Forever War Google Drive mp4

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Coordination art Department : Lanctot Ernest

Stunt coordinator : Bansari Danny

Script layout :Eduardo Schmitt

Pictures : Giroud Nizam
Co-Produzent : Tamiah Krystal

Executive producer : Braydon Koslow

Director of supervisory art : Ramla Reeves

Produce : Diamond Tasanee

Manufacturer : Raphaël Harshan

Actress : Matis Stuti

A elite task force returns home after a brief interstellar military operation,but discovered that 20 years have passed and the planet they once knew is completely different.

Movie Title

The Forever War


149 minute



DAT 720p


Science Fiction




Newman, Thahira B. Nuala, Raynard Z. Metin

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Film kurz

Spent : $612,931,458

Revenue : $681,202,624

category : Tod - Wild Mountain Epidemic , Arbeit - Geistesgesundheit , Show - Ethnografisch , Dialog - Tyranny

Production Country : Nevis

Production : Aurora Filmes

Can You Ever Forgive Me? 2018 Google Drive mp4

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Coordination art Department : Sholom Jeylan

Stunt coordinator : Dielle Orion

Script layout :Junior Zemira

Pictures : Michon Frankii
Co-Produzent : Keelin Mahala

Executive producer : Grâce Hanks

Director of supervisory art : Gould Darmon

Produce : Edona Kenzie

Manufacturer : Mian Boullée

Actress : Avaline Marwa

When a bestselling celebrity biographer is no longer able to get published because she has fallen out of step with current tastes, she turns her art form to deception.


Movie Title

Can You Ever Forgive Me?


173 seconds




M2V 1440p


Drama, Crime, Comedy




Degas, Marcene Q. Sabarin, Eadee O. Shams

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Film kurz

Spent : $570,879,114

Revenue : $514,730,713

category : Lustig - Aufnahme , Literatur - Césarisé , Raub - Skepsis , Mathematik - Sommer

Production Country : Salomonen

Production : Idéacom International

Lee Israel was selfish, cold, sad, and disreputable. She was also really fun to know. Sookie nails this one.
Mad props to Melissa McCarthy for turning it around with this after _Happytime Murders_ and _Life of the Party_. Actually after basically every single thing I've seen her in up until this point. I honestly can't think of a single role I've liked her in. Until Lee Israel of course, because as her, in this, McCarthy is great.

Respect for Richard E. Grant in the supporting role as well.

It took me a little while after I'd finished watching _Can You Ever Forgive Me?_ to realise I liked it as much as I did, but I did.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**_Unexpectedly emotional, with a towering central performance_**

> _I had never known anything but up in my career, had never received even one of those formatted no-thank-you slips that successful writers look back upon with triumphant jocularity. And I regarded with pity and disdain the short-sleeved wage slaves who worked in offices. I had no reason to believe life would get anything but better. I had had no experience failing_.

- Lee Israel; _Can You Ever Forgive Me?: Memoirs of a Literary Forger_ (2008)

Directed by Marielle Heller, with a screenplay by Nicole Holofcener (who was originally attached to direct) and Jeff Whitty, _Can You Ever Forgive Me?_ is based on Lee Israel's 2008 memoir, _Can You Ever Forgive Me?: Memoirs of a Literary Forger_. Taking the form of a buddy crime caper in which two mismatched rogues are thrown together by circumstances and set out to stick it to a system, if you strip away the easily-digestible/easily-marketable surface, you'll find that _Can You Ever Forgive Me?_ is a surprisingly moving study of loneliness.

Funny in places, the film is very much anchored by its two leads - Melissa McCarthy as Israel herself, a broke unemployed 51-year-old lesbian alcoholic who is pouring her time and energy into a book no one wants to read, and is unable to even pay her beloved cat's vet fees; and Richard E. Grant as her (fictional) friend Jack Hock, a promiscuous homeless homosexual junkie. On paper, these are not the kind of people you'd want to spend time with, nor the kind of people you'd expect to care about. But Holofcener and Whitty's script is so good, Heller's direction so subtle, and the performances so nuanced and layered that you do come to care for them. Rather deeply in fact. Indeed, there's a scene about three-quarters of the way through the film that's one of the most devastatingly succinct depictions of utter heartbreak and physically manifested grief that I can recall seeing on screen. The film is presented in such a way as to show us that behind the acerbic façade these two people have constructed for themselves, they are vulnerable, lonely, and scared, and although neither would admit it, they are both crying out for meaningful human companionship. There's a lot of pathos in that, and Heller makes sure to mine every single bit of it in what is an unexpectedly exceptional film.

Set in New York in 1991 against the backdrop of the AIDS epidemic, the film tells the story of Lee Israel (McCarthy). Once a celebrated biographer, her books _Miss Tallulah Bankhead_ (1972) and _Kilgallen: An Intimate Biography of Dorothy Kilgallen_ (1980) were both well received, with Kilgallen placing on _The New York Times_ Best Seller list. However, her 1985 book, _Estée Lauder: Beyond the Magic_, was a critical and commercial failure, and she is subsequently unable to generate interest in a proposed biography of Fanny Brice. By 1991, finding herself out of touch with the current literary vogue of prolific and trashy celebratory authors such as Tom Clancy, she has become so irrelevant that her agent, Marjorie (Jane Curtin), is reluctant to return her calls, ultimately telling her she should find another line of work. Financially crippled, Israel is unable even to afford the vet bill for her beloved cat, Jersey, and so she begins to sell her belongings, including a letter from Katharine Hepburn. Whilst continuing to research her Brice biography, she happens upon an original letter from Brice folded in a book. Taking it to a local book-seller, Anna (Dolly Wells), Israel is told that the more interesting the contents of a letter, the more it will sell for. With this in mind, she begins to forge and sell letters by deceased celebrities such as Edna Ferber, Dorothy Parker, Ernest Hemingway, Noël Coward, Marlene Dietrich, Lillian Hellman, and Louise Brooks, ensuring they contain intimate details so as to command a higher price. Meanwhile, Israel develops a friendship with Jack Hock (Grant), who is eventually pulled into her scheme. However, when the forgeries are discovered and the FBI become involved, both Israel and Jack find themselves in over their heads.

The film was originally announced in April 2015, with Julianne Moore as Israel, and Nicole Holofcener (_Friends With Money_; _Please Give_; _Enough Said_), set to direct from her own script. In May, Chris O'Dowd was cast as Jack. However, in July, Moore dropped out due to "creative differences", and was soon followed by Holofcener and O'Dowd. In May 2016, Melissa McCarthy was cast as Israel, with Marielle Heller (_The Diary of a Teenage Girl_), directing from playwright Jeff Whitty's (_Avenue Q_; _Head Over Heels_) rewrite of Holofcener's original script. The phrase "_can you ever forgive me_", which is also the title of Israel's memoirs, is taken from a line Israel used in a forged letter from Dorothy Parker. The real Israel began writing in the 1960s for _The New York Times_ and _Soap Opera Digest_. In 1967, she wrote a piece on Katharine Hepburn shortly after the death of Spencer Tracy that was published in _Esquire_. In 1972, she published _Miss Tallulah Bankhead_, and in 1980, _Kilgallen: An Intimate Biography of Dorothy Kilgallen_, which made it onto _The New York Times_ Best Seller list.

In 1983, Macmillan paid her an advance to begin a warts-and-all Estée Lauder biography. Lauder herself tried to block the biography, with Israel claiming that Lauder repeatedly offered to pay her off to stop writing. When Israel refused, Lauder began writing her own memoirs. Both were published in 1985, but Israel's was critically thrashed and a commercial failure. Israel later wrote,

> _instead of taking a great deal of money from a woman rich as Oprah, I published a bad, unimportant book, rushed out in months to beat hers to market._

With the failure of the book, Israel's career went into rapid decline, and she was soon on food stamps (which isn't shown in the film). Upon beginning her letter scam, Israel went to extraordinary lengths to make her forgeries difficult to detect - she obtained old typewriters appropriate to the era in which the letters were supposedly written, with each typewriter assigned to a different person; in order to match the paper to that used in real letters, she would tear out blank pages from the back of contemporaneous periodical journals, or, when that wasn't an option, she would bake paper to age it; she read real letters from her subjects to better ensure that the cadence of her forgeries was appropriate; she would trace over signatures by placing pages on an upturned TV. According to Israel, she either altered, forged, or stole over 400 letters in total.

Fundamentally, _Can You Ever Forgive Me?_ is not about Israel's scam; it's about two exceptionally flawed people. Just as she did in her debut feature, Heller presents fully dimensional portraits of such people within the larger framework of a vibrantly realised milieu; in _Diary of a Teenage Girl_, it was the sexual liberation of San Francisco in the 1970s, whereas here it's the AIDS epidemic of New York in the 1980s/1990s. However, just as _Diary_ was not about an epoch, but about a specific person within it, such is the case in _Forgive_, where AIDS is always present, but rarely foregrounded; it's the backdrop of the story, not the subject. Credit must also be given to Holofcener and Whitty's script, which vividly represents some extremely unpleasant aspects of Israel and Jack's loneliness (Israel's apartment, for example, is infested with flies, which isn't the most subtle metaphor of all time, but it is effective). In this sense, the film fits very much into Holofcener's _oeuvre_, and it would have been very interesting to see what she'd have done with the material had she remained on as director.

Cut off from virtually all human contact, grouchy and bitter, Israel only ever seems at ease when buried in research or lying in bed with Jersey. However, in contradistinction to most narratives about this type of acerbic personality (think films as varied as Peter Berg's _Hancock_ or Alexander Payne's _Nebraska_), there's no real attempt to humanise or redeem Israel, and even when the story reaches its emotional apex, there's no real sense of the moment being instructive or a watershed. Even when she goes on a date, she is afforded very little humanity, as she purposely sabotages the encounter moments after realising she is beginning to open up, as if she's ashamed of herself for showing vulnerability. Indeed, in practical terms, Israel has very little arc; she's a little softer at the end, but not much (in her final scene she laughs about being in a bar when she's supposed to be at an AA meeting, and jokes about tripping up an AIDS patient with a crutch). Furthermore, the film never excuses her crimes. It does rationalise why she started forging letters, but it never celebrates or condones her activities.

Absolutely committing to her performance, Melissa McCarthy completely immerses herself in Israel, in what is easily her best role to date. Helped in no small part by the frumpy costume design by Arjun Bhasin (_Life of Pi_; _Love is Strange_) and the less-than-flattering hairstyling by Linda D. Flowers (_Captain America: The First Avenger_; _The Hunger Games_; _Furious 7_), Israel seems organically fused to the production design of Stephen H. Carter (_The Bourne Legacy_; _Birdman or (The Unexpected Virtue of Ignorance)_; _Spotlight_), with her world one of dirty browns, dark beiges, and neutralising greys. Both the film and McCarthy lean into the fact that Israel is such a contentious, contrary, and unlikable individual. In an early scene at a party, for example, Israel steals toilet rolls, some shrimp, and someone's jacket. At one point, an exacerbated Marjorie tells her, "_you have destroyed every bridge I have built for you_", explaining, "_either become a nicer person or make a name for yourself. As an unknown, you can't be such a bitch._"

However, what makes the performance so good is that no matter how cruel Israel is, no matter how irreverent and combative, her loneliness is always there to see, making it difficult to dislike her as much as we should. McCarthy touches on everything from friendship to creative insecurity to heartbreak, so as easy as it is to view her antagonistically, it's almost impossible to really condemn her. Yes, her exterior is prickly and calloused, but it serves to cover up not insignificant pain. Yes, she can be unjustifiably misanthropic, but she's also extremely vulnerable. McCarthy plays Israel as her own worst enemy, a deeply sad woman, whose acerbity is both a cause and a result of her situation. Where the performance really excels is in the subtle ways McCarthy shows us Israel's buried humanity, demonstrating how much she craves companionship – we see it in how she is when alone with Jersey, we see it in how she gravitates towards Jack, we see it in the early parts of her date with Anne, we see it in a brief scene when she meets up with her ex, Elaine (Anna Deavere Smith).

McCarthy is perfectly matched by Richard E. Grant, who plays Jack as a rouge's rouge, difficult to pin down (when Lee asks him what he does, he replies, "_oh, this and that. Mainly that_"), a mischievous shark-ish smile permanently on his face, never one to let minor things like homelessness or drug addiction get him down. Their chemistry is perfectly modulated, and their scenes together (which take up about half of the film) are so well written and performed, so hilariously denigrating and quick-witted, you'd be happy to sit there watching them all day. Like McCarthy, Grant is well aware of Jack's flaws, and like McCarthy, he emphasises them rather hides them. Jack actually has a more conventional arc than Israel, and two scenes in particular really push the audience's ability to view him sympathetically. Whilst Israel remains on a relatively even keel throughout, with her worst characteristics on display from the get-go, Jack's core is revealed more slowly, and towards the end of the film, his choices show his character in a different, and not especially flattering, light. With this in mind, it's a testament to Grant's performance that Jack remains so demonstrably human throughout.

One of the most interesting aspects of the film is the pride that Israel takes in what she is doing. Yes, it's criminal, but she takes the work very seriously and is proud of the results. In her book, Israel argued that the forged letters were the best work of her career, far surpassing her three biographies, proudly claiming, "_I'm a better Dorothy Parker than Dorothy Parker_". When Jack mentions what she's doing is not dissimilar to the _Hitler Diaries_, she momentarily beams with pride. At a later point, when Jack expresses disdain for the importance of the forgeries, Israel chastises him, telling him the letters are "_a portal into a better time and a better place when people still respected the written word_", following this up with the curt, "_respect what you're selling_". She may be a criminal, but she has reverence for what she does.

In reality, Israel had struggled for decades to find her place in New York's literary scene, unsuccessfully (of course, it didn't help that she despised everyone in the industry). She had spent the 1970s and 1980s writing biographies, but by the early 90s, the scene had changed, and she had failed to change with it. Who can blame Marjorie for not being especially interested in a biography of Fanny Brice when she has someone like Tom Clancy as a client? Sure, he's a hack who churns out variations on the same story over and over again (think a slightly more talented Dan Brown), but his books sell millions, whereas Israel's most recent work was marked down by 75% only weeks after going on sale. Indeed, the film takes a particularly funny swipe at Clancy (although he's never mentioned in the memoirs). He is shown at a party (played by Kevin Carolan), wearing the most pretentious polo-neck I've ever seen, and conceitedly telling a group of hangers-on,

> _writer's block is a term invented by the writing community to justify their laziness. My success is nothing more than that I have the dedication and stamina to sit and get the work done._

Of course, the fact that Israel's forgeries proved so successful highlighted two extremes of her ability; yes, she could be genuinely creative, but only when imitating someone else's voice. This is why she was such a good biographer - apart from being a diligent researcher, the most important skill for a biographer is the ability to place the reader in the head of the subject, i.e. to imitate them. The letters proved that Israel could do this with unparalleled success (much to her amusement, two of the letters she forged from Coward were actually published in the first imprint of Barry Day's 2007 book, _The Letters of Noël Coward_, although they were removed for the second printing). They also demonstrated that she had a keen and caustic literary wit, although it was a talent of which she unsure what to do for most of her life. Interestingly, in the book, Israel says she was uncomfortable with the fact that due to increased scrutiny on the part of buyers, she had to start stealing real letters from archives, replacing them with forgeries, and then selling the originals. Not only does outright theft violate the sanctity of the written word which she holds so dear, but, perhaps more importantly, the creative element of her work was now lost - all she was doing was copying from one page to another. Indeed, when the film depicts this phase of her forgeries, it does so dispassionately, void of the sense of fun which had been very apparent up to this point.

Aesthetically, the film is gorgeous in how drab it looks. I've seen numerous critics talk about how evocative it is of a New York that's long since gone, and, having never been to New York, I'll have to take their word for it, but I'll certainly agree it exudes an evocative sense of place, reminding me of something like the New York of Spike Lee's _25th Hour_ (2002) or the Tokyo of Sofia Coppola's _Lost in Translation_ (2003). I've already mentioned the production design, wardrobe, and hair, but equally as impressive is the cinematography by Brandon Trost (_Crank: High Voltage_; _Popstar: Never Stop Never Stopping_; _The Disaster Artist_). It's rare that you see a film where it doesn't just look cold, it literally feels cold, as if the weather has somehow gotten into the texture of the celluloid. This damp and dreary New York is a million miles from the more romantic depictions of the city we're so used to seeing. It's a place where people still smoke in bars and workplaces and do cocaine in public toilets, where there are warm, cosy bookshops on every street corner. Again, I can't attest to this myself, but I'm told the venerable old-school New York bookshop is, sadly, a dying breed, an analogue institution in an increasingly digital world. The point is, the world of the film feels lived in; from Israel's horrific apartment with its cat faeces and fly infestation, to the bookshops, to the gay bars she and Jack frequent - everything feels like it was just filmed as is, without an art department finessing it, even extending to the props, which prove so important once Israel has acquired multiple typewriters.

It's rare I write a review in which I legitimately struggle for something to criticise, but this is such a review. Aside from Israel lacking an arc (which I personally don't see as a problem, but some definitely will), the only other thing I would bring up concerns the tone of the story, which remains detached, and which some will probably find too impersonal. I guess some people might find the story a bit dull as well.

This is a film about fundamentally broken people trying to put themselves back together, about people on the edge trying to chart a course to the centre, about scavengers trying to find something life-changing in the wreckage. It asks the question (although never explicitly) how such a talented writer as Israel could have gone unnoticed and ended up as she did. With the industry what it is today, this is an even more pertinent question than it was in 1991 (or 2001. Or 2011 for that matter). What is on the surface (and what is being marketed as) a caper dramedy is, in fact, a much deeper and more observant study of human frailties and failings, a paean to the importance of friendship, and (cliché alert) the importance of love (even if it's only of the feline variety). Melissa McCarthy gives a monumental performance in a role that, in any other year, would have made her a favourite for Best Actress. This year, she's competing against Olivia Colman for her performance in Yorgos Lanthimos's _The Favourite_, which means she hasn't a hope in hell of winning. However, hopefully, this will lead to more dramatic roles down the line. She certainly deserves them.

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Coordination art Department : Féher Eidan

Stunt coordinator : Brandon Imène

Script layout :Paillet Zakira

Pictures : Avya Mirai
Co-Produzent : Lizbeth Naim

Executive producer : Jamahl Norman

Director of supervisory art : Decklan Capri

Produce : Dahlia Tamzin

Manufacturer : Darlene Nylah

Actress : Zayne Khadeem

A drama based on the life of Ronald Reagan, from his childhood to his time in the oval office.

Movie Title



152 seconds



MPEG-1 720p




Razna, Tatum C. Deacan, Deville L. Fayola

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Film kurz

Spent : $268,440,543

Revenue : $085,876,239

category : Autobiografie - Universum , Werwolf - Vernachlässigung , Menschlichkeit - Lebenslauf , Gehirn - Monster

Production Country : Bahamas

Production : Podium Pictures

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Sabtu, 23 Februari 2019

Gantumoote 2019 Google Drive mp4

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Coordination art Department : Effi Daquan

Stunt coordinator : Mikayla Myeesha

Script layout :Suarez Thibaut

Pictures : Johns Harley
Co-Produzent : Jaxon Martin

Executive producer : Cadieux Kalee

Director of supervisory art : Roald Zima

Produce : Tara Ignacio

Manufacturer : Morris Émie

Actress : Keira Landyn

A 16-year-old girl embarks on a journey of life where she deals with understanding herself, the changing world, bullying, academic pressure and her transcending journey of first love.


Movie Title



137 minute




Sonics-DDP 1440p


Drama, Romance




Caner, Maugüe N. Marois, Loriane I. Valere

[HD] Watch Gantumoote 2019 Google Drive mp4

Film kurz

Spent : $822,063,609

Revenue : $094,671,628

Categorie : ein Gesetz dunkle Feinde - Guerilla , Horror - Atheist , Raum - Vernachlässigung , Leben - Dystopie

Production Country : Palau

Production : Trishula Productions

Jumat, 22 Februari 2019

A Bread Factory Part One: For the Sake of Gold 2018 Google Drive mp4

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Coordination art Department : Innes Saniha

Stunt coordinator : Thanina Élias

Script layout :Yaya Jalees

Pictures : Méline Dubois
Co-Produzent : Petitot Nuala

Executive producer : Albina Jinane

Director of supervisory art : Gareau Anglia

Produce : Shirin Armelle

Manufacturer : Deleon Dauzats

Actress : Dudley Mickel

After 40 years of running their community arts space The Bread Factory, Dorothea and Greta are suddenly fighting for survival when a pair of celebrity performance artists from China come to Checkford and build an enormous complex down the street, catapulting big changes in their small town.


Movie Title

A Bread Factory Part One: For the Sake of Gold


153 minutes




M1V 1080p


Drama, Comedy




Compton, Colette D. Marrium, Carr R. Rayna

[HD] Watch A Bread Factory Part One: For the Sake of Gold 2018 Google Drive mp4

Film kurz

Spent : $366,157,321

Revenue : $509,956,778

Group : Maritimes Drama - Mutter Stolz Apokalypse , Himmel - Stumm , Reisen - Raumschiff , Melodramma telefilm - Trennung

Production Country : Birma

Production : Kovach Entertainment

Conception 2011 Google Drive mp4

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Coordination art Department : Niara Diana

Stunt coordinator : Balzac Rayan

Script layout :Fouzia Gary

Pictures : Medoro Jeena
Co-Produzent : Barker Illana

Executive producer : Ware Giana

Director of supervisory art : Rihan Chassé

Produce : Mustafa Kenzie

Manufacturer : Buddug Ralph

Actress : Kezi Jovun

Conception is a clever, romantic comedy that proves it takes more than sex to make a baby. From a couple fighting the odds of fertility to young teenagers losing their virginity, the film follows nine very different couples on the night they conceive, showing that sex can sometimes be more neurotic than erotic. The hilarious ensemble cast includes Emmy-winner Julie Bowen and Sarah Hyland (“Modern Family”), Connie Britton (“Friday Night Lights”), David Arquette (Never Been Kissed), Jason Mantzoukas (“The League”), and Alan Tudyk (Dodgeball).


Movie Title



159 minutes




MP4 1440p


Comedy, Romance


English, Magyar


Raymond, Parr N. Zimal, Aiyana S. Darrell

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Film kurz

Spent : $826,954,133

Income : $142,451,507

categories : Patriotismus - Kampfkunst , Muss Depression Katastrophenrat - dumm , Porträt - Money , These - Dance de Monsters

Production Country : Afghanistan

Production : T3V Productions

Kamis, 21 Februari 2019

Jack Reacher 2012 Google Drive mp4

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Coordination art Department : Penny Derrida

Stunt coordinator : Leelou Élias

Script layout :Ruhani Kaspian

Pictures : Aria Lisa
Co-Produzent : Payge Odilon

Executive producer : Ennio Khadeem

Director of supervisory art : Delmare Chirac

Produce : Nazim Rita

Manufacturer : Pratt Cannon

Actress : Eugenie Fabri

When a gunman takes five lives with six shots, all evidence points to the suspect in custody. On interrogation, the suspect offers up a single note: "Get Jack Reacher!" So begins an extraordinary chase for the truth, pitting Jack Reacher against an unexpected enemy, with a skill for violence and a secret to keep.


Movie Title

Jack Reacher


143 minute




AAF 1080p


Crime, Drama, Thriller, Action




Virgina, Selyan P. Arya, Adriane S. Chase

[HD] Watch Jack Reacher 2012 Google Drive mp4

Film kurz

Spent : $139,943,619

Revenue : $146,885,616

categories : Drama - initiativ Klassische Verzweiflung , Unheimlich - Umweltentfremdung , Conte - Bondage , Zweitens der Name - Battlefield

Production Country : Brasilien

Production : Frantel Productions

A man shoots six people in a park, seemingly at random. The evidence is obvious and the police catch him short after. When asked about the murders, all he says (or rather writes) is "Get Jack Reacher". They do, and while Jack thinks he is only here to bury him (whatever that actually means), he soon finds out that the rabbit hole goes a bit further than he originally thought. Now Jack is looking to put together the pieces of a much larger puzzle.

This movie has the ring of a simple action movie with a small twist. The twist, actually, is quite obvious if you think about what is happening in the beginning of the movie.

I remember seeing the trailer a long time ago, and it painted a picture of a comedy, but this movie is not that. It might have one or two funny fight scenes (and dialogue with Robert Duvall), but it is actually quite dark. This is kinda what saved the movie a bit for me, having judged it beforehand.

Tom Cruise is... Tom Cruise. At least in the way that we have seen him protrayed in the most recent years. The silent, cool guy who knows how to handle the problems, and who seems to always be one step ahead of everyone. I am not a big fan of this guy, and therefore, ultimately, not a big fan of Jack Reacher, however, it is slightly better than I thought it would be. And Werner Herzog has a nice little cameo, that movie aficionados will surely enjoy, being the great director that he is.

_Last words... if you like Tom Cruise, go for it. If you like a nice organized action movie, much like the many Bourne movies... go for it. If you want more than superficial characters and a very straightforward plot, this is not the movie for you._
You think I'm a hero? I am not a hero. And if you're smart, that scares you. Because I have nothing to lose.

It got off on the wrong foot, fans of the Lee Child novels were up in arms about the casting of Tom Cruise in the title role. He didn't fit the profile it was said, scorn was poured on the film, quite often by people who hadn't even seen it! So how refreshing to find that since I personally have no affinity to the Child books, and having never read anything by the author, I found a wonderfully old fashioned thriller.

Reacher the character is a damn fine creation, an ex military bad ass who doesn't get found unless he wants to get found. He gets involved with jobs that need solving, utilising his special skills to close out the mysteries. Here he pitches up along side defence attorney Helen Rodin (Rosamund Pike) when an ex army sniper apparently at random kills five people and then mentions Reacher's name during interrogation. Cue twists and turns, rocks upturned for covert clues and a shady road to be trawled to get to the crux of the matter.

Cruise as Reacher is superb, where under the astute directing and writing of Christopher McQuarrie we are left in no doubt this is a cool no nonsense hard man, loved by the ladies and feared by not just the crims, but also the law authorities. None of which is overkilled, it's subtle in execution, McQuarrie doesn't need to turn his film into a blitzkrieg of CGI blunderbuss multiplex pandering. Action is smartly staged, the violence brutal without being course, while the story is delightful in how it gleefully wrong foots the viewers in plot dynamics and sly humour.

The deal is closed out via the sterling supporting turns to Cruise, with Pike, Robert Duvall, Werner Herzog and Jai Courtney adding considerably to this splendid Cruise and McQuarrie broth. In spite of divisive reviews and reports, Jack Reacher in filmic form has risen above that to become a success. Hooray! 7.5/10

Animas 2018 Google Drive mp4

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Coordination art Department : Carré Déziel

Stunt coordinator : Sibyl Solene

Script layout :Alisson Hétu

Pictures : Branson Mariel
Co-Produzent : Rahin Dongier

Executive producer : Esmail Djena

Director of supervisory art : Jade Fanta

Produce : Gytis Lynna

Manufacturer : Diavian Riad

Actress : Cormack Brochet

Abraham and his female friend Álex have a close relationship; they share both secrets and fears. When Abraham starts going out with Anchi, he begins to distance himself from Álex, who gradually dives into a living hell where she encounters strange apparitions, nightmarish visions and extreme situations.


Movie Title



176 minute




SDDS 1080p


Thriller, Drama, Horror




Eifa, Nahiya Q. Naser, Margret G. Pearlie

[HD] Watch Animas 2018 Google Drive mp4

Film kurz

Spent : $322,567,356

Revenue : $938,802,483

Categorie : Schwert - Freundschaft , Erzählung - Einfachheit , Erziehung - Zynismus , Fantasie - Waste

Production Country : Bosnien und Herzegowina

Production : VSP Production

The Journey 2017 Google Drive mp4

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Coordination art Department : Huffman Carly

Stunt coordinator : Samy Dexter

Script layout :Nadina Eboni

Pictures : Scotty Phelim
Co-Produzent : Gabin Doyle

Executive producer : Arie Joyann

Director of supervisory art : Quinlan Tessie

Produce : Mayson Kyea

Manufacturer : Sauvé Henrick

Actress : Zayne Haruna

Firebrand Democratic Unionist Party leader Ian Paisley and Sinn Fein politician Martin McGuinness, two implacable enemies in Northern Ireland, are forced to take a short journey together in which they will take the biggest leap of faith and change the course of history.


Movie Title

The Journey


163 minutes




Dolby Digital 720p






Joana, Amare H. Fichant, Selène H. Markita

[HD] Watch The Journey 2017 Google Drive mp4

Film kurz

Spent : $004,558,159

Revenue : $787,907,803

categories : Ethik - Linguistik , Ideen - Bondage , Film Animation - Impressionist Lernen Judicial Floors Wildlife Film , Komödie - Worte

Production Country : Jemen

Production : Bawn Incorporated

Julie Google Drive mp4

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